It wasn’t too long coming, I hope.
Hampton court posed its own challenges. Female voices, specifically. How do I take my voice and make it sound more feminine? More than this, there were not one, not two, not three but four women to deal with. Annie and Miss Fitzgerald were ok – although I think Miss Fitzgerald ended up sounding similar to the Professor – probably because they were older.
Lisa and Sally, though, they… they were tough. Lisa had to have a condescending tone in her voice, be a bit haughty and snooty, overly affectionate and bossy. Sally was quite the opposite, being bubbly, chipper, and homely. And, of course, they were both young.
I couldn’t ask for help with this. It was a mission I had to face on my own. And so I did. For Lisa, I took on a breathy, higher pitched voice. It took a good ten minutes to get it ballpark. At first she was squeaky and not at all lady-like. It oscillated between a mouse and a baritone until I landed somewhere in the middle.
The best I could do was imagine someone like this in my head and try to match her voice.
Sally took longer. For her, I needed something a little younger. Cue the baby voice. Nope, no good, too young. So I experimented a little, holding my noise, squishing my face. Then I relaxed my cheeks, letting them flop about a bit. It’s hard to explain.
Think of Richard Nixon:
He’s got those jowls that flop about a bit, giving a kind of hollow sound to the mouth. Not that Sally has jowls in my mind’s eye. She’s more of a happy-go-lucky button that sees the good in the world before the bad, a tad naive, but not stupid. Only, I couldn’t get that playfulness in her voice to come through and, after experimenting a lot, I came to the conclusion that I could only do so much with the equipment God gave me, and that the whole ‘hollow-cheek’ thing would have to do.
Now I’m really sorry for Sally.