Exeter, a bustling town with a wealth of surprises, is now home to the Professor. He has set up his laboratory and has fished for active hauntings and, to his great delight, has succeeded in finding what could be the most perfect case on record, one that might be used for scientific analysis on the nature of the other world.
They’ve already had run-ins with the locals, and now they are wiser to the lay of it all, so it’s time to investigate in earnest. Of course, the city has its own surprises waiting for them. What will all this mean?
You can find out in less that a week! The official launch of Cooper Alley Ghost is on Sunday 26th of April, 2020. But you can get it now, on pre-order, with the eBook up at all major retailers:
The audiobook has been submitted and is currently under review, but there seems to be a delay on the publishing. I’ll keep you posted about that. I know Ah’dhu is a fan of the Audio versions, because then he can get his ghosts on the run.
Who ever said that writing was glamorous? Not me, I can assure you. I can think of many words to describe it. Glamorous doesn’t make the list.
The writing bit is fun. You know, making up the story and getting all the words on the paper and building up characters, scenes and plots. That’s a hoot, but not glamorous. It’s fun, sticky and sugary, like eating dessert for an entree.
The marketing – promotions, adverts and posts – that’s all boring but essential, like steamed vegetables.
The worst part, for me at least, is editing. I’ve already read the damn book. I’ve worked over little details, scrubbed whole bits out, rammed other bits in, smooshed it, smoothed it, worked at it and sat on it. Then, after a period of recovery, I get to do it all over again.
And that’s just the second draft.
Rinse, repeat. Third draft. Oh brother. Looking down at the plate, you’ve got something in the realm of cold porridge, mixed with a spoonful of unsoaked lentils.
Ugh. Editing. Spoon by spoon, it’s a slog to get through, especially the third draft. It’s where I have to concentrate not only on grammar and spelling, but flow, repetition and any major flaws that are sitting there. Did Barnes come before or after I fought the Unome? Was Belvedere oblivious to Sassam’s plot? How much did Wyra blab to Coraline?
Yes, these should have been taken up in the Second Draft. Doesn’t mean they were. Consider it the last chance to nut all of that out before the galley is produced. I’ve had some assistance to this end in the form of my father grabbing a red pen and for this I am very, very grateful.
Of course, since he stole the red pen, I’ve been forced to use the green for my own amendments. I can live with that. Want to hear the good news? It’s all done. The hard-copy side of things, that is. Now comes the second part of the editing task: working back over the printed pages and translating the scribbles and scrawls, side-annotations and asterisks over to the electronic version.
This the is down-hill part of the task. Doesn’t mean it’s any less unpalatable, just that it takes less time.
What’s the date today? May 1st. Cool. In that case, I have reached the decision to put this book up for pre-release May 4th on Amazon’s KDP (the Kindle Direct Publishing thing), for an official release June 1st. That’s from a Thursday to a Thursday.
I’ll try my best to document the process. I’ve got Smashwords and Lulu down, but the KDP is still a bit of a foreign concept.
The wait is over. The time to crack champagne (or a decent Lagavulin whisky) is now!
Adaptation – Part 6, the conclusion to the Adaptation Series, is up on Smashwords and Amazon, and shortly it’ll be on Google Play, Barnes & Noble, iTunes and Kobo for pre-order.
That’s right, pre-order. I was aiming for the 15th of December, but due to restrictions with the publishing houses, the earliest I could get was the 23rd of December.
Just in time for Christmas, eh?
On a side note, I must apologise to my Kindle audience. I am very sorry that you may have received an old edition of Adaptation – Part 1. Because of the way distribution works, I have to manually upload my books and editions of those books to Amazon and I’m pretty sure that the edition that was up there was not the latest, and had a bunch of spelling and grammatical issues in there.
If you’re one of the unlucky ones, I am sorry. I have re-uploaded the latest edition today, and that should clear in a couple of days. I will be looking over the Kindle versions after I finish, just to make sure I haven’t mucked up again.
OK, so, it’s party time?
You bet! Come on, this is a celebration! Part 6, up on pre-order, release on Friday the 23rd!
Come and witness the conclusion to the Adaptation series!
You get to write what you want to write. The subject matter is up to you. You don’t have a big bad corporation leaning over your shoulder, shaking its head saying, “No, no, no. That won’t do. You need to have more werewolves. Vampires are so 2014. This won’t sell.”
Who cares? It’s your book.
Pfft! Who cares…?
If you want to kill off your main character, go right ahead! If you’re stuck for a plot point, deus ex machina is a viable option. Who cares? It’s your book.
Pricing and distribution is fine, too. With facilities like Smashwords and Lulu, you can push out your book at pretty much any price that suits you to pretty much any distributor. Do you care? After all, it’s your book.
There are no deadlines except for those you impose upon yourself and, hey, if you’re out by a week or a year, who really cares? It’s your book.
Tell you what, it’s easy being an independent author.
No, really, who cares?
Who cares? Who cares? The audience cares. They care a lot.
If you are writing the book for yourself, then go right ahead and do whatever. Don’t worry about grammar, punctuation and spelling. Ignore typos and editing. Ignore those tics, those cliches, those repetitions. Chuck everything into one great big sodding sentence, no breaks, and be done with it.
Writing for others means obeying conventions, like grammar and spelling, and it means putting a lot effort into editing, refining, sweeping, checking, double-checking, proofing, making sure the damn thing is what it’s supposed to be.
Sure, it’s your book, but it’s written for someone else and, when they’ve bought it and read it, it’s their book, too. That’s why they care.
Deadlines become real: If you say you’re going to have a book out by December 2016, then that’s what the audience expects. Sure, the audience can’t sue you or fire you if you don’t deliver, but they can get miffed if you keep pushing the date of release back.
Being an Indie means many things, but one of the main things is that the thick layer of abstraction between you and the audience is not there. It means you have to be the big, bad corporation. You have to be the one whipping yourself to get things done. You have to exercise self-discipline, take any issues on the chin, handle complaints and emails.
All marketing falls on your shoulders. You don’t get to have the big, bad corp telling you what’s currently trending, nor do you have banner ads, and YouTube videos, or sponsorship, or endorsements, or reviews, or Oprah.
All you have is you. And even if everyone else in the world doesn’t care, you should care.