This is getting exciting! Old Stumpy is up for preorder at Smashword, Amazon, Barnes and Noble, Kobo, iTunes and Google books. You know, the usual spots.
If you’re thinking about getting into the world of Borobo, you might want to hit Smashwords up now and get Tedrick Gritswell of Borobo Reef for free! That’s right, you’ve only got a day or so left to grab a freebie and ride that octopus bandwagon.
Tedrick is on his way! I’ve uploaded the final draft at Smashwords, Kindle and Google Play now, and I’ve set the preorder date as the 13th of August, 2019. So that means that, as of now, Tedrick Gritswell Makes Waves is up Kindle, Smashwords, Barnes and Noble, Kobo, Google and iTunes. That gives me a bit of time to iron out all the kinks.
Kinks? What possible kinks? The physical copy, that’s always a drainer. Then there’s the final-final check of the formatting and like. Then there’s the front cover. It’s just a matter of getting an image, slapping a title and author in comic sans and that’s job done, right?
Yeah. Nah. You see, the requirements of each platform is different. There are minimum sizes, recommended sizes, form factors, resolutions, margins and bleed. All of that. Which is why the keener eyed among you (probably of octopus stock) can spot that the digital cover and the hardcopy cover are, in fact, different.
Smashwords requires a minimum width of 1400 pixels, with the height ‘greater’ than the width. A bit loose. Amazon wants an ‘ideal’ 1:1.6 ratio, with a minimum of 1000 pixels, with a preferred width of 2500 odd. Google doesn’t really care, so long as the file is under 20MB. The hard copy depends upon the physical dimensions of the book, plus a margin and bleed. All in all it’s a tricky dance.
As such, the image needs to be painted bigger than normal. I went for a 1600 x 1800 dimension. I kind of missed the memo on Amazon’s ‘ideal’ stuff. Never mind, the process is still the same and I’m happy with how it turned out.
Using Corel Painter and my trusty Wacom tablet, I began with a sketch. In this episode, Tedrick isn’t so sure of himself, and there’s a bit where he’s hiding out from a vicious predator. I toyed with having the darkness of the Abyss stretching out before him, before scrapping that and wedging him in a crevice on the Reef. Above is shining and colourful, with happy fish flitting about and brain coral in pink clumps. Below is dirty and dark, menacing. Stumpy’s clinging on, somewhere in the middle.
One thing I really like about Corel is that you can have a play, see what you like, see what works, then undo it if you’ve muffed it, or slap on another layer to see what happens. I haven’t played with the full range of brushes available. There’s a ‘Real Watercolour’ I’m keen to try out, but I’ll have to wait for the next one, I guess. I’ve got more work ahead of me to get this book in order.
It’s wintertime. It’s cold. It’s fireplaces and curled up cats and cups of tea on the couch.
I like winter. I like being able to rug up in jumpers and wear hats and gloves. Most of the time, even when it’s chilly, I’m pretty hot. Maybe it’s got something to do with genetics and my metabolism or whatever, but unless I’ve got the flu I’m usually trying my best to cool down.
I stick my feet out the side of the bed. I wear only pants because a pyjama top is too constrictive. I don’t like having a warm cup of cocoa before hitting the hay. Give me some water. Just the way God made me, I guess. On a side note, it’s the Smashwords Summer (Winter in the Southern Hemisphere) Sale – get e-tonnes of e-books for bargain prices, with many of them (including all of mine) as free.
One major benefit of being a walking radiator is that I’m quite at home sitting outside on a cold night, and that’s where I’ve been during the cool autumn nights and winter evenings. There’s a little table and chairs set up on the porch, you see, and it’s perfect for writing out my drafts for the next Tedrick Gritswell. Perched out there with a coffee or a cognac, take your pick, I managed to knock out the first draft fairly quick.
Now I’ve done the ol’ red pen trick, and I’m happy with my second. I’ve already made notes to myself for where I’ve dropped a few stitches, and I’m tidying those up as I’m going. Nearly time to print it out again and go for the third.
There’s something special about this time of the book. It’s ‘done’ but not done. You can see it, touch it, it’s there and real, but not so real as being published. That rumbling feeling that comes up as the anticipation builds. The myriad conflicting ideas about whether a section should even exist, whether Bill should have a greater role in the story, whether this bit is too verbose, too lax, too crude. It’s time to chill again, be patient and print it out.
It’s a laborious process, believe me, and there’s every temptation to put it down and play Metro Redux, but that’s not going to get the cows milked, is it? It’s the final slog to the end, to keep pushing until it’s at that point I nod my head and say, “That’ll do it.”
Until then, to keep my mind in the zone, I’ve been working on the cover and the title page. Here’s the latest:
There’ll be a bit of poking an prodding with this bit – I don’t want to rush out the front cover just yet. Once I’m happy, I’ll make a post about the design process behind it and let you know.
I took some time off work yesterday and today. I had some things around the house that needed doing. The fireplace, for one, needed painting. The original coating was faded and buffed and rust spots were appearing. Some sandpaper, mineral turpentine, a paint brush and a tin of pot-belly black high temp paint solved that problem.
Now the house smells like turps, but that’s not the point. The point is that I knuckled down, got the job done, the fireplace looks a treat and I’m ready for winter.
I also needed to replace a strip of quad in the bathroom because it got left out during the renovations. Some stain, some gloss, cut it to size, stuck it on the wall, job done. And the lawn needed mowing – got that out of the way. Oh, the doorbell dinger needed to be replaced – done. The winder in the bedroom is failing – turns out I can’t fix that without replacing the box, so I’ll have to leave that to another day (and someone else).
So where does that leave me? It leaves me with some time to actually do what I want to do, which is finish off the sequel to Tedrick Gritswell. That’s right, folks, our favourite little spud from Borobo Reef is back in business and he’ll soon be peeking out from a bookshelf near you!
The Second Draft is complete. I’ve put my poor little printer through its paces (took a while to get the drivers and get it working) and it dutifully churned out 100 odd pages of words for me to read through and correct. Now I’ve got to go get another red pen. I kind of killed my last one. Time for a trip to Officeworks. After that, more editing and corrections and then onto the final.
In the meantime, I’m having a break. I’ve got to get onto the front cover, after all. I had decided this time around to do the cover first, but that idea got lost along with everything else that came at me this year, but don’t you worry, I’ll get out the tablet, crack open my Corel Draw and reacquaint myself with just how to apply a virtual paint to a virtual canvas.
Bartek Sobieszczuk, or ‘Bart’ to those in the know, is taking part in a fundraiser to live off only rations for a week in order to raise money for Syrian refugees.
I got to thinking about how I could help out. I’m not rolling in dough, no sir, and a lot of my spare change has gone his way but that’s not quite enough. Well, Bart has helped me to help him help others.
I’ve agreed to two things:
Any and all profits from any and all sales of Tedrick Gritswell from today (Tuesday, 20th of June) to Saturday (24th of June) will go straight to Bart’s fund.
On Friday I will do as he is doing and subsist solely off 600g of rice for the day. I think I also get to have a tea-bag. Maybe.
It’s not much, I know, but it means that I can at least contribute something more than a fistful of dollars and, as he put it, “They (you guys) get a great read and contribute to a worthy charity at the same time!”
Sounds about right to me.
Of course, if you wanted to donate directly, go right ahead:
And is set to splash its way all across your e-reader? Tedrick!
That’s right, everyone’s favourite octopus detective is due for release tomorrow, 1st of June!
OMG! I’ll be holding my own little celebration, but I can’t celebrate for too long, no sir. There are too many things to do. I’m still getting AMS to play ball, and then there’s the hardcopy to finalise, and distributions. Man, it almost makes me wish I had multiple limbs! Sorry, Ted, I know you’re still smarting about your missing arm.
You can find Tedrick Gritswell of Borobo Reef at the Amazon store here, for the price of a cup of coffee. And once I’ve passed the required number of days, I’ll publish to Smashwords, Barnes and Noble, iTunes, Kobo and Google Play. Or you can download the mobi or pdf and import that into your reader – I’ve heard that works.
Thanks for sticking with me on this ride. I’ll continue with the hardcopy KDP journey in a day or two, once I’ve shaken off the darkwater hangover.
In the previous post I told you how I decided to try out KDP’s Create Space for the paperback version of Tedrick Gritswell.
In this episode, I’ll walk you through the uploading of the manuscript because it needs some examination, then start on the cover.
Once I had the physical output determined:
I formatted my table of contents and added in the ISBN as per Lulu’s instructions – it’s a simple enough template to follow, and I’m not about to deviate. Then I uploaded it.
Well, wasn’t that fun? I will argue that Lulu’s uploading mechanism is much cleaner and easier – you feel ‘safe’ as you go along. I will also argue that Amazon’s engine is quite advanced and did a lot of processing to make sure that my manuscript fit into its guidelines.
We can see some different approaches here: To be approved for GlobalReach, the onus is on you to make sure your book is in the right format, has the right dimensions, has the right ISBN and author and copyright, has the right pagination and table of contents. There are good resources of how to go about that, including my previous posts, so it’s not such a bad thing. It also means that you, as the publisher, are responsible for getting it right and they make sure you purchase a proof for you to check over before you can set your book free to the world.
KDP, on the other hand, takes a different approach. You upload your manuscript and it gets processed by a bunch of verifiers and validators, custom engines that grab your PDF by their dog-eared corners and shake them about, making sure its up to standard. Not that you’ll see what’s going on, but it does give prompts.
When mine came out the other end, there were many errors that were picked up, including the size of the document. The cool thing was, the engine did its best to modify my manuscript to conform to the required dimensions because, yup, I’d forgotten to set the dimensions of my page before exporting to PDF!
Why does this matter? Because by changing the size, I change the layout and flow, and the pages will, as a result, not be the same. And it seemed to get that. I’d like to try it again just to be sure, but I’m pretty sure it actually updated the page numbers and the table of contents for me. So a big tick here for Amazon on that front.
It makes sense, if you think about it. If they had to manually review all of the manuscripts coming up for quality and design issues, it would take about a day before someone hit the ‘F-It’ key and got a programmer to knock up an engine to weed out the most obvious issues before they reached a human. Nice.
Where it falls a little flat, though, is when I revised my manuscript, changed the dimensions to 6″ by 9″ and re-exported. The Auto-whatsit decided to over compensate and the inside margins of the book were too big. It took many iterations of trial and error to get it ‘just right’, which I did in the end. I think.
And that’s the other killer – currently KDP doesn’t offer the ability to purchase a proof at publishing prices. Lulu insists upon ordering one to make sure the end product is exactly what it needs to be, but there is no such facility on KDP. So I had to order my proofs as a normal purchase.
But I’m getting ahead of myself. First, the cover.
Similar to Lulu, KDP gives you the option to DIY or to use their templates. I’ve found the templates fairly straight forward, but this time around I wanted to try the DIY approach.
To do this you can download a PDF or PNG with the dimensions of the front, spine and rear cover. Depending on the size of your book, you’ll get a different file, but the idea is that you have the width and height, along with a spine whose size depends on the number of pages and the paper weight. Mine looks like this (PDF): 6x9_Cream_270
As you can see, it’s broken into parts. You’ve got the front cover on the right, the rear on the left – which includes space for the ISBN barcode – and the spine itself.
Do you have to make your own barcode or include it as part of the rear-image? No, not at all. It will be auto-generated when you upload it. More on that later.
The important thing to notice here is the whole loosey-goosey nature of the cover. You have red areas, black dotted lines and broad white areas. Why not just a rectangle? Because books are imprecise. The stock is not the same from place to place. They are produced on whopping great big machines with whirling parts and clampy bits and things that go brrrrrrp! and each of those processes has tolerances.
When ordering proofs of my other books, I’ve noticed that, depending on where they are printed, the colour, cut, folding and finish is different. As such, you will need to allow for the guidelines they’ve given you. Yes, there is a good chance that anything in the red-zone before the black line will be visible, but don’t count on it. If it’s important, keep it in the white zone.
Also worth noting: If you’re a stickler for having things dead-centre, then prepare to pull your hair out. That buffer and trim at the right means that you will need to compensate your centreline on the front cover to be a squigion to the left. The same rule applies for the vertical direction. Don’t assume that you can grab your eBook version and slap it on the top.
Be prepared to fiddle, is all I’m saying. After you upload, examine the finished product carefully because it won’t be exactly as you had it.
Is that all? No, not really. There’s a fair bit more to go, actually. More in the next post.
I told you I’d do it! Tedrick Gritswell of Borobo Reef is up for pre-release.
What does that mean for you?
It means you can pre-order it so that, on 1st of June, 2017, it gets automatically added to your library and you get the honour of being the first spud to read it! It also means you can rest easy knowing that I’m going to use the next few weeks to spruce up the book, get the formatting down, all of that.
Here’s the link:
What does it mean for me?
It gives me a chance to slow down and take stock. The work doesn’t stop, though, you should know that by now. I need to:
Work on the cover (woot!) some more. That’s not the final iteration.
Fix up some grammatical and spelling errors.
Make a few last minute additions and subtractions.
Rev up the marketing engine and concentrate on that properly.
Get this into a hard-copy version el-pronto.
I’ll keep you posted about how it all goes, including how the KDP uploading went. In the meantime, I’m going to take a break, have some lunch, maybe even head to Bunnings for a walk-around.
Who ever said that writing was glamorous? Not me, I can assure you. I can think of many words to describe it. Glamorous doesn’t make the list.
The writing bit is fun. You know, making up the story and getting all the words on the paper and building up characters, scenes and plots. That’s a hoot, but not glamorous. It’s fun, sticky and sugary, like eating dessert for an entree.
The marketing – promotions, adverts and posts – that’s all boring but essential, like steamed vegetables.
The worst part, for me at least, is editing. I’ve already read the damn book. I’ve worked over little details, scrubbed whole bits out, rammed other bits in, smooshed it, smoothed it, worked at it and sat on it. Then, after a period of recovery, I get to do it all over again.
And that’s just the second draft.
Rinse, repeat. Third draft. Oh brother. Looking down at the plate, you’ve got something in the realm of cold porridge, mixed with a spoonful of unsoaked lentils.
Ugh. Editing. Spoon by spoon, it’s a slog to get through, especially the third draft. It’s where I have to concentrate not only on grammar and spelling, but flow, repetition and any major flaws that are sitting there. Did Barnes come before or after I fought the Unome? Was Belvedere oblivious to Sassam’s plot? How much did Wyra blab to Coraline?
Yes, these should have been taken up in the Second Draft. Doesn’t mean they were. Consider it the last chance to nut all of that out before the galley is produced. I’ve had some assistance to this end in the form of my father grabbing a red pen and for this I am very, very grateful.
Of course, since he stole the red pen, I’ve been forced to use the green for my own amendments. I can live with that. Want to hear the good news? It’s all done. The hard-copy side of things, that is. Now comes the second part of the editing task: working back over the printed pages and translating the scribbles and scrawls, side-annotations and asterisks over to the electronic version.
This the is down-hill part of the task. Doesn’t mean it’s any less unpalatable, just that it takes less time.
What’s the date today? May 1st. Cool. In that case, I have reached the decision to put this book up for pre-release May 4th on Amazon’s KDP (the Kindle Direct Publishing thing), for an official release June 1st. That’s from a Thursday to a Thursday.
I’ll try my best to document the process. I’ve got Smashwords and Lulu down, but the KDP is still a bit of a foreign concept.