Quick one – It’s UP! The Audiobook version of Atlas, Broken is up and out and on Google Play and Chirp and all of those places! Well, it is not up on Audible yet, but that seems to take a year and a day, so I’m not surprised, and it’s not about to put a dampener on my celebrations.
Hampton court posed its own challenges. Female voices, specifically. How do I take my voice and make it sound more feminine? More than this, there were not one, not two, not three but four women to deal with. Annie and Miss Fitzgerald were ok – although I think Miss Fitzgerald ended up sounding similar to the Professor – probably because they were older.
Lisa and Sally, though, they… they were tough. Lisa had to have a condescending tone in her voice, be a bit haughty and snooty, overly affectionate and bossy. Sally was quite the opposite, being bubbly, chipper, and homely. And, of course, they were both young.
I couldn’t ask for help with this. It was a mission I had to face on my own. And so I did. For Lisa, I took on a breathy, higher pitched voice. It took a good ten minutes to get it ballpark. At first she was squeaky and not at all lady-like. It oscillated between a mouse and a baritone until I landed somewhere in the middle.
The best I could do was imagine someone like this in my head and try to match her voice.
Sally took longer. For her, I needed something a little younger. Cue the baby voice. Nope, no good, too young. So I experimented a little, holding my noise, squishing my face. Then I relaxed my cheeks, letting them flop about a bit. It’s hard to explain.
Think of Richard Nixon:
He’s got those jowls that flop about a bit, giving a kind of hollow sound to the mouth. Not that Sally has jowls in my mind’s eye. She’s more of a happy-go-lucky button that sees the good in the world before the bad, a tad naive, but not stupid. Only, I couldn’t get that playfulness in her voice to come through and, after experimenting a lot, I came to the conclusion that I could only do so much with the equipment God gave me, and that the whole ‘hollow-cheek’ thing would have to do.
Now I’m really sorry for Sally.
I’m really happy for Hampton Court Ghost, though, because that is up and out on Audible and Google and Chirp and all the good places!
Tedrick is on his way! I’ve uploaded the final draft at Smashwords, Kindle and Google Play now, and I’ve set the preorder date as the 13th of August, 2019. So that means that, as of now, Tedrick Gritswell Makes Waves is up Kindle, Smashwords, Barnes and Noble, Kobo, Google and iTunes. That gives me a bit of time to iron out all the kinks.
Kinks? What possible kinks? The physical copy, that’s always a drainer. Then there’s the final-final check of the formatting and like. Then there’s the front cover. It’s just a matter of getting an image, slapping a title and author in comic sans and that’s job done, right?
Yeah. Nah. You see, the requirements of each platform is different. There are minimum sizes, recommended sizes, form factors, resolutions, margins and bleed. All of that. Which is why the keener eyed among you (probably of octopus stock) can spot that the digital cover and the hardcopy cover are, in fact, different.
Smashwords requires a minimum width of 1400 pixels, with the height ‘greater’ than the width. A bit loose. Amazon wants an ‘ideal’ 1:1.6 ratio, with a minimum of 1000 pixels, with a preferred width of 2500 odd. Google doesn’t really care, so long as the file is under 20MB. The hard copy depends upon the physical dimensions of the book, plus a margin and bleed. All in all it’s a tricky dance.
As such, the image needs to be painted bigger than normal. I went for a 1600 x 1800 dimension. I kind of missed the memo on Amazon’s ‘ideal’ stuff. Never mind, the process is still the same and I’m happy with how it turned out.
Using Corel Painter and my trusty Wacom tablet, I began with a sketch. In this episode, Tedrick isn’t so sure of himself, and there’s a bit where he’s hiding out from a vicious predator. I toyed with having the darkness of the Abyss stretching out before him, before scrapping that and wedging him in a crevice on the Reef. Above is shining and colourful, with happy fish flitting about and brain coral in pink clumps. Below is dirty and dark, menacing. Stumpy’s clinging on, somewhere in the middle.
One thing I really like about Corel is that you can have a play, see what you like, see what works, then undo it if you’ve muffed it, or slap on another layer to see what happens. I haven’t played with the full range of brushes available. There’s a ‘Real Watercolour’ I’m keen to try out, but I’ll have to wait for the next one, I guess. I’ve got more work ahead of me to get this book in order.
You know, I think I’m going to make a new rule. When it comes to releasing titles, I’m going to deliberately hold off past Christmas. With the development-o-meter hitting a full scale deflection, the obligatory seasonal parties, obligations and preparations, and the viruses that hover about until you’re just on the edge of desperation before striking you down, there’s not a lot of time left for everything else that falls under the category of ‘not immediate’.
So it got to yesterday – at least I think it was yesterday – and I was asked, “Hey Jez, don’t you have a book coming out?”
Oh, crud. Right. That. When was that again? Between all the competing voices nagging and braying and screaming and screeching, there was a meek little squeak calling, “Jez, Jez. Don’t forget about me.”
Well I didn’t really forget as much as neglect. Sorry, little guy. It’s a bit pathetic, but here’s your launch. Ahem:
Hey, y’all. Portsmouth Avenue Ghost, Paranormology Part 5 is out on Kindle, Kobo, Smashwords, iTunes, Barnes and Noble and Google Play. And a bunch of other, independent distributors. I hope you enjoy it.
Head-down-bum-up. That’s the story of the past year, and, for the past month, it has been head-downer-bum-even-more-upper. The pace only gets faster the closer one gets to finishing.
To tell you the truth, I’m knackered.
I’m stoked to see it up. I’m stoked to have hit the target I set for myself. I’m stoked that the hardest part is behind me.
Wait, you mean there’s more?
Well, yeah. There’s always more. Now that it’s Portsmouth Avenue Ghost is up for pre-release, I need to convert it and set it up on Amazon, and then convert it again (and the cover) to post to Lulu. In addition, I need to order a copy and ensure that it’s correct in my Kobo reader, do the ISBN, give it a final check and then repeat that for the Lulu side of things.
And then I need to adjust the Paranormology series page, image and make a post there, too, and update the links as Barnes and Noble, Kobo, Google Play and iTunes receive the distribution.
It doesn’t end just because I’ve done the upload.
On top of that, I’m not 100% happy with the cover, so I’ll need to get some tweaking done before the release.
Still, it’s up. It’s up, and I’m going to have a break for a day to rezone. In the meantime, enjoy! You can find the book at:
And is set to splash its way all across your e-reader? Tedrick!
That’s right, everyone’s favourite octopus detective is due for release tomorrow, 1st of June!
OMG! I’ll be holding my own little celebration, but I can’t celebrate for too long, no sir. There are too many things to do. I’m still getting AMS to play ball, and then there’s the hardcopy to finalise, and distributions. Man, it almost makes me wish I had multiple limbs! Sorry, Ted, I know you’re still smarting about your missing arm.
You can find Tedrick Gritswell of Borobo Reef at the Amazon store here, for the price of a cup of coffee. And once I’ve passed the required number of days, I’ll publish to Smashwords, Barnes and Noble, iTunes, Kobo and Google Play. Or you can download the mobi or pdf and import that into your reader – I’ve heard that works.
Thanks for sticking with me on this ride. I’ll continue with the hardcopy KDP journey in a day or two, once I’ve shaken off the darkwater hangover.
What day is it? The 23rd of December? Why that must mean…
Adaptation – Part 6 is out!
That’s right! The conclusion to the Adaptation series is finally out and up for your reading pleasure, on Amazon and iTunes and Barnes & Noble and Kobo and Google Play and, of course, direct from Smashwords. All the links, plus some interesting info about the final, can be found here.
Lulu? Yes, it actually is up on Lulu, but the GlobalREACH hasn’t been activated yet. Why not? Because I made the mistake of thinking that shipping (for confirmation) would be fast at Christmas time. No disrespect to the guys at Lulu, that was totally my bad.
Once the copy has been approved by yours truly, it will be distributed and available from Barnes & Noble and Amazon in paperback, but until then you can actually buy it direct from Lulu.
Many thanks to everyone who has helped me through this. Now it’s time for a bit of a break. All work and no play makes Jez a dull boy.
Well who would have thought they’d see the day, eh? Eh? Adaptation – Part 6 is heading for completion in December.
You heard right. The much-anticipated conclusion to the Adaptation series is due for release before Christmas. I’ll be making a space on this website soon enough. As per the others, it will be available from all platforms upon release, from iTunes and Barnes and Noble, to Kobo, Google Play and Amazon Kindle, along with our good friends over at Smashwords.
As a heads-up, just like the other Adaptation parts, it’s not exactly suitable for children what with the violence and swearing and other unsavoury topics.
Is there a cover? A fixed date?
No cover just yet, kiddies, that will come soon enough. I’ve got to the second draft going first. How’s this for a deal: I’ll do another post when that’s done.
As for a fixed date, the unofficial launch will be December 15th (ish). Don’t worry, I’ll be banging on about it a fair bit, so you won’t miss out.
Publishing Jolimont Street Ghost should have been a ‘crack a beer and take a week or two off moment’. After all, the hard stuff is done. Writing and editing and proofing and all of that stuff. Done. Front cover and page dimensions and blank space checks. Done. Converting and publishing and getting it approved. Done.
Then comes the next part, the bit you really, really wish you could forget about. Jolimont Street Ghost was pushed up in digital format (a little early, but let’s not dwell) and, thanks to Smashwords’ awesome Channel system, it gets distributed to a lot of major players like iTunes, Barnes and Noble and Kobo, along with newer ones like Scribd and Overdrive and Txtr.
Is there a glaring omission to this list? Amazon? One needs to do that oneself. That’s not a failing of Smashwords, rather that’s an annoying fact of Amazon. I won’t go into my usual rant, suffice to say it takes a bit more work to take what you’ve already done and distribute it elsewhere. Google Play? Same deal.
So to distribute it via the ‘other guys’, it’s a matter of copy-pasting a lot of the meta-data, title, series, author, ISBN, etc. and going through the motions on their sites, uploading in the correct formats – epub, png and pdf for Google, mobi and jpg for Amazon – and then submitting for their scrutinisation.
The genre issue is a funny one. Seems everyone has their own way of doing it and, while there appear to be standards, not everyone uses them.
For example, with Paranormology, I believe it sits somewhere in a “Ghost” genre, rather than “Horror”, but that isn’t always available at all distributors. OK, so “Science Fiction” is too broad, “Paranormal” exists in one standard but not another. Sheesh! At this point it’s a best-effort approach, near enough is good enough, move on.
Tags. This is another point that has me confuddled and bewused. Some distributors like single words, others like phrases, some have unlimited tags, others a maximum. Don’t put the title in the tag, but try to keep tags similar to books of the same type… Yeah, again, I hit the Sheesh! button and give it a best effort once more.
Of course. This is just what needs to be done to get it up and out. After that, you need to download it all again in the various formats, to make sure the formatting ain’t up the wall. You see, converting your manuscript to ePub and Mobi and PDF and RTF can leave weird spacings or blank pages or dropped fonts, all of which looks unprofessional and is distracting to the reader.
My advice is to follow the Smashwords’ submission guidelines. Their converter is very decent and works like a charm so long as you stick to the guidelines. Sure, you can always re-submit if you need to but, trust me, you don’t want to.
After all, there’s a headless beer slowly getting warmer over there…