It was a tough book to write. Henry Ludlow, that sorry excuse for a protagonist, never stood a chance. It was unfair. He didn’t get much of a character arc. George Abbot said something like, in the first act, your hero gets stuck up a tree. Then, in the second, you throw rocks at him. Finally, in the third act, you get him down from there. He has changed, he has progressed.
Henry doesn’t, though. He gets plenty of rocks thrown at him and his tree is more like a thorn-bush. And in the end, he’s not allowed to come down. It isn’t a Disney ending and it certainly isn’t what people seem to want the story to be. There’s nothing really uplifting or inspirational.
Sure, you want Henry to succeed. You want him to find some strength within, some untapped resource that he needs to discover. You want him to figure out life. You want him to get it.
But he doesn’t get it. He can’t, and that’s the problem. That’s the goal of the story. Henry is doomed. He is doomed and the people who can save him won’t, or can’t. Either way, it doesn’t matter. He’s not a super hero, he’s barely an average guy.
I doubted that I was actually doing something wrong, there. Was I being needlessly cruel? He’s just a character, after all. But he’s not just a character. He’s more than that.
Then I read a couple of Franz Kafka books and I realised, yes, not all books needed to have fairy-tale endings. Not all books needed to even have likeable characters. Maybe Atlas, Broken, isn’t a nice book, or a happy book, or a readable book, but it’s a book that I had to write and now, I’ve figured, I might as well do the audiobook as well.
The setting is in suburban Melbourne. The folk are typical suburbanites. There are Tim Tams and seagulls and beer. Really, this should be right up my alley. Let’s see.
Is it Wear your Best to Work week? I’m all for that kind of thing. I mean, we live in a fantastic age where we have incredible choice for what to wear, so why not bust that suit out and wear it with pride? But no, no, it’s not that week.
Is it Stay in Bed week? Unfortunately no. While I would welcome the change of pace, I’m sure the economy wouldn’t enjoy workers dropping tools, wheels, keyboards and pens to take a kip.
Is it Put your Phone Away Week? I wish, I wish, I wish it was. You know how much fun it is when you can talk to someone without a black rectangle covering their face?
Alright, alright. I’ll let you in on the gag. It is, in fact –
And to celebrate, they’ve got a bazillion titles up on discounts. 25%? Yup. 50%? You bet. 75%? Even so.
100%??? There sure are! In fact, if you head to my profile page:
You’ll find all of my books for… free. That’s right, gratis. Go nuts. Get the entire set of Adaptation (Just get the compendium, it’s easier). Go on. What’s that? You want an octopus detective? OK, go get Tedrick Gritswell of Borobo Reef and, while you’re there, get Tedrick Gritswell Makes Waves.
Not your thing? Grab Atlas, Broken or the Bullet. Or if you’re into Paranormology, grab all five books and shove them in your cart. Electrons come free, baby, so go nuts.
Then, when you’re done, go and visit some other authors and give them some love. And then… and then… and thenread them! That’s part of the whole ‘Read an E-Book’ week deal. If you enjoy them, great! If not, that’s fine too. Oh, and if you don’t mind, please come back and leave a review when you’re done.
If reading really ain’t your thing, might I suggest you listen to the audiobook versions? It’s kinda sorta still almost and E-book, right? It still counts. It’s just that you’re reading with your ears. Yeah. Let’s run with that.
What are you still doing here? Go and read a book!
Read an E-Book week goes until March 7, so get in while you can.
Head-down-bum-up. That’s the story of the past year, and, for the past month, it has been head-downer-bum-even-more-upper. The pace only gets faster the closer one gets to finishing.
To tell you the truth, I’m knackered.
I’m stoked to see it up. I’m stoked to have hit the target I set for myself. I’m stoked that the hardest part is behind me.
Wait, you mean there’s more?
Well, yeah. There’s always more. Now that it’s Portsmouth Avenue Ghost is up for pre-release, I need to convert it and set it up on Amazon, and then convert it again (and the cover) to post to Lulu. In addition, I need to order a copy and ensure that it’s correct in my Kobo reader, do the ISBN, give it a final check and then repeat that for the Lulu side of things.
And then I need to adjust the Paranormology series page, image and make a post there, too, and update the links as Barnes and Noble, Kobo, Google Play and iTunes receive the distribution.
It doesn’t end just because I’ve done the upload.
On top of that, I’m not 100% happy with the cover, so I’ll need to get some tweaking done before the release.
Still, it’s up. It’s up, and I’m going to have a break for a day to rezone. In the meantime, enjoy! You can find the book at:
You know when your eyes are burning and your fingers and cramped and up come up for a gulp of air and realise, ‘Heck, almost there!’
The fifth episode of Paranormology is only a hop, skip and a jump away from getting published. Allow me a couple of seconds to enjoy the moment.
Back to it. I’ve highlighted the issues and suggested corrections, now I’ve got to pick up the pieces of paper – literally – and update the electronic copy.
Why ‘literally’? Well, funny story:
As you can see from the pic, there’s a whopping bulldog clip what holds all my sheets together. This system works really well because it keeps the pages in order when I take it from my bag, or put it on the table, or drop it on the ground. Where the system fails is when I unclip it, then let the pages slide off the desk and across the floor.
Let this be a lesson – when you print out your manuscript, add page numbering. It’s fast and it means that, if the pages get screwed up because of one’s clumsiness, it’s trivial to put them back into order.
As it was, I spent a good ten minutes flicking through, sorting and shuffling and rearranging.
You’ll also notice that I used a yellow highlighter rather than my favourite red pen. Reason is that I couldn’t find Old Red anywhere. The highlighter + black pen combination isn’t that great, in that I need to do two marks rather than one, and the black pen had a tendency to get smeared on the marker.
The end result is good. I can scan a page quickly and spot what needs to be updated, so that’s not a problem, and if I can’t have a red pen, I’ll settle for this, albeit grudgingly.
What comes next?
Updating the electronic copy with the corrections. It’s laborious, it’s boring, but it has to be done. A few cups of coffee should help.
After this, or during – if I need a break from words – comes the cover. I’ve got the sky how I want it, and I’ve removed a few ‘modern’ artefacts from the house and surrounds. Now I need to get the colours right, perhaps add a some environmental cues, and decide upon a font for the title.
And then, somewhere along the way, I have to start a blurb – *shudder*. For such a small patch of writing it is the most agonising to write: Summarise without being vague. Give clues without giving anything away. Create interest without using cliches. And do it all in a neat and tidy space of five sentences. Blegh.
So I might be near the end, but, really, there is much still to be done.
It’s official: the next in Paranormology sees our protagonist accompany the Professor to Exeter, following up on a potential lead involving a wealthy widow and a mysterious medium. I finished the second draft just now – coffee down, have a stretch, crack of the knuckles and back to it, Jez.
Naturally there’s the drama between the Professor and the Gypsy – neither appreciates the other’s presence. The protagonist is caught in the middle, being young and idealistic.
There’s the theme of the optimism of youth, and it helps in a few spots, yet the premise is related to controlling one’s emotions. Sound vague? Of course. I’m not going to spell out the premise, that’s the book’s job.
I don’t think I’ll be doing the whole KDP thing again on this one. Firstly, it wouldn’t be fair to those who have the rest of the Paranormology series on Kobo, iTunes, Barnes and Noble, etc. Secondly, I really like Smashwords as a publisher! They’ve got the author as their focus, not profits, and they make it easy to do just about anything. I’m cool with that.
As for the cover, I’ve got a particular house in mind that I pass by every day on the way home from work. It’s over in Essendon and I’m thinking I might want to ask for permission from the home owner first before I stand outside like a creepy guy and take happy-snaps of the house… Yeah, maybe I’ll do that.
Don’t know how I’m going to approach it, but. “Hey, hi. You don’t know me and, well, I don’t know you, but I was wondering if I could take pictures of your house…”
And is set to splash its way all across your e-reader? Tedrick!
That’s right, everyone’s favourite octopus detective is due for release tomorrow, 1st of June!
OMG! I’ll be holding my own little celebration, but I can’t celebrate for too long, no sir. There are too many things to do. I’m still getting AMS to play ball, and then there’s the hardcopy to finalise, and distributions. Man, it almost makes me wish I had multiple limbs! Sorry, Ted, I know you’re still smarting about your missing arm.
You can find Tedrick Gritswell of Borobo Reef at the Amazon store here, for the price of a cup of coffee. And once I’ve passed the required number of days, I’ll publish to Smashwords, Barnes and Noble, iTunes, Kobo and Google Play. Or you can download the mobi or pdf and import that into your reader – I’ve heard that works.
Thanks for sticking with me on this ride. I’ll continue with the hardcopy KDP journey in a day or two, once I’ve shaken off the darkwater hangover.
In the previous post I told you how I decided to try out KDP’s Create Space for the paperback version of Tedrick Gritswell.
In this episode, I’ll walk you through the uploading of the manuscript because it needs some examination, then start on the cover.
Once I had the physical output determined:
I formatted my table of contents and added in the ISBN as per Lulu’s instructions – it’s a simple enough template to follow, and I’m not about to deviate. Then I uploaded it.
Well, wasn’t that fun? I will argue that Lulu’s uploading mechanism is much cleaner and easier – you feel ‘safe’ as you go along. I will also argue that Amazon’s engine is quite advanced and did a lot of processing to make sure that my manuscript fit into its guidelines.
We can see some different approaches here: To be approved for GlobalReach, the onus is on you to make sure your book is in the right format, has the right dimensions, has the right ISBN and author and copyright, has the right pagination and table of contents. There are good resources of how to go about that, including my previous posts, so it’s not such a bad thing. It also means that you, as the publisher, are responsible for getting it right and they make sure you purchase a proof for you to check over before you can set your book free to the world.
KDP, on the other hand, takes a different approach. You upload your manuscript and it gets processed by a bunch of verifiers and validators, custom engines that grab your PDF by their dog-eared corners and shake them about, making sure its up to standard. Not that you’ll see what’s going on, but it does give prompts.
When mine came out the other end, there were many errors that were picked up, including the size of the document. The cool thing was, the engine did its best to modify my manuscript to conform to the required dimensions because, yup, I’d forgotten to set the dimensions of my page before exporting to PDF!
Why does this matter? Because by changing the size, I change the layout and flow, and the pages will, as a result, not be the same. And it seemed to get that. I’d like to try it again just to be sure, but I’m pretty sure it actually updated the page numbers and the table of contents for me. So a big tick here for Amazon on that front.
It makes sense, if you think about it. If they had to manually review all of the manuscripts coming up for quality and design issues, it would take about a day before someone hit the ‘F-It’ key and got a programmer to knock up an engine to weed out the most obvious issues before they reached a human. Nice.
Where it falls a little flat, though, is when I revised my manuscript, changed the dimensions to 6″ by 9″ and re-exported. The Auto-whatsit decided to over compensate and the inside margins of the book were too big. It took many iterations of trial and error to get it ‘just right’, which I did in the end. I think.
And that’s the other killer – currently KDP doesn’t offer the ability to purchase a proof at publishing prices. Lulu insists upon ordering one to make sure the end product is exactly what it needs to be, but there is no such facility on KDP. So I had to order my proofs as a normal purchase.
But I’m getting ahead of myself. First, the cover.
Similar to Lulu, KDP gives you the option to DIY or to use their templates. I’ve found the templates fairly straight forward, but this time around I wanted to try the DIY approach.
To do this you can download a PDF or PNG with the dimensions of the front, spine and rear cover. Depending on the size of your book, you’ll get a different file, but the idea is that you have the width and height, along with a spine whose size depends on the number of pages and the paper weight. Mine looks like this (PDF): 6x9_Cream_270
As you can see, it’s broken into parts. You’ve got the front cover on the right, the rear on the left – which includes space for the ISBN barcode – and the spine itself.
Do you have to make your own barcode or include it as part of the rear-image? No, not at all. It will be auto-generated when you upload it. More on that later.
The important thing to notice here is the whole loosey-goosey nature of the cover. You have red areas, black dotted lines and broad white areas. Why not just a rectangle? Because books are imprecise. The stock is not the same from place to place. They are produced on whopping great big machines with whirling parts and clampy bits and things that go brrrrrrp! and each of those processes has tolerances.
When ordering proofs of my other books, I’ve noticed that, depending on where they are printed, the colour, cut, folding and finish is different. As such, you will need to allow for the guidelines they’ve given you. Yes, there is a good chance that anything in the red-zone before the black line will be visible, but don’t count on it. If it’s important, keep it in the white zone.
Also worth noting: If you’re a stickler for having things dead-centre, then prepare to pull your hair out. That buffer and trim at the right means that you will need to compensate your centreline on the front cover to be a squigion to the left. The same rule applies for the vertical direction. Don’t assume that you can grab your eBook version and slap it on the top.
Be prepared to fiddle, is all I’m saying. After you upload, examine the finished product carefully because it won’t be exactly as you had it.
Is that all? No, not really. There’s a fair bit more to go, actually. More in the next post.
In the interest of comparison with Lulu, I’m going to be documenting my experience with Kindle Direct Publishing and Create Space for making the hardcopy version of my book.
Thankfully, Amazon supplies ISBNs. If you’re curious about how the whole ISBN thing works, have a read. I’m not about to go forking out big bucks for a number, so I’ll get a free one, thank you very much.
Tick the box and away you go. The ISBN is issues and it’s supposed to go… where? Good question. Thankfully, my experience with Lulu shows that it needs to be on the second page, after the title page, of your book, under the copyright notice.
I’m going to stick to this format, because it works. Speaking of format…
KDP doesn’t give you a visual guide for how the book will turn out. I guess it doesn’t really need to
The options chosen by default sound reasonable enough, but if you’re interested, like I was, in the other options, you can hover over the blue text and get hints. For the trim size, which is very important to get right, I needed to know what the book would look like in the end. Following the link in the hover-over, you get a table like this:
Whoa. Ok. Cool. You know what? Let’s just stick with 6″ x 9″ for now, yeah? If that’s the most popular, then why buck the trend?
Along with the dimensions, there’s also the paper type (cream, white) and the ink type (black, colour). I think I’ll go cream and black, please. One sugar. Ta.
Now, while we’re on the topic of formatting, I need to get the ebook manuscript and tidy it up, because, like Lulu, the upload to KDP recommends PDF. Makes sense. So, in OpenOffice, I need to set the page size and the margins:
Note the width and height are the same as those specified by KDP? Important point, that. I’ve also set the margin at 2cm to give a comfortable reading experience.
After this, I need to add in page numbers and chapters. I won’t reiterate that, since you can see how I did that here.
So far, we’re in similar waters, so that’s helpful. Upload to the KDP and let it do its thing.
Next comes the bit with the cover. Ooh, now with this, we can only upload a print-ready PDF. Lulu’s cover creator makes it pretty easy to do front, rear and spine, this might be a little more involved.