Giving Atlas a Voice

It was a tough book to write. Henry Ludlow, that sorry excuse for a protagonist, never stood a chance. It was unfair. He didn’t get much of a character arc. George Abbot said something like, in the first act, your hero gets stuck up a tree. Then, in the second, you throw rocks at him. Finally, in the third act, you get him down from there. He has changed, he has progressed.

Henry doesn’t, though. He gets plenty of rocks thrown at him and his tree is more like a thorn-bush. And in the end, he’s not allowed to come down. It isn’t a Disney ending and it certainly isn’t what people seem to want the story to be. There’s nothing really uplifting or inspirational.

Sure, you want Henry to succeed. You want him to find some strength within, some untapped resource that he needs to discover. You want him to figure out life. You want him to get it.

But he doesn’t get it. He can’t, and that’s the problem. That’s the goal of the story. Henry is doomed. He is doomed and the people who can save him won’t, or can’t. Either way, it doesn’t matter. He’s not a super hero, he’s barely an average guy.

I doubted that I was actually doing something wrong, there. Was I being needlessly cruel? He’s just a character, after all. But he’s not just a character. He’s more than that.

Then I read a couple of Franz Kafka books and I realised, yes, not all books needed to have fairy-tale endings. Not all books needed to even have likeable characters. Maybe Atlas, Broken, isn’t a nice book, or a happy book, or a readable book, but it’s a book that I had to write and now, I’ve figured, I might as well do the audiobook as well.

The setting is in suburban Melbourne. The folk are typical suburbanites. There are Tim Tams and seagulls and beer. Really, this should be right up my alley. Let’s see.

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