Findaway Voices Audiobooks

The time came to just get the rotten thing up, up onto the grand international platform of electrons called the ‘internet’. I had tried ACX, but that was ruled out by geography. I mean, in this age of inter-everything, I didn’t think it would be an issue. Go figure.

So I turn to Smashwords again for help. They are teamed up with Findaway. I had just finished Tedrick Gritswell Makes Waves and, at the end of the publishing cycle, the Smashwords website suggested using Findaway to get vocals for my book.

Well, that certainly sounds like a nice idea, but I wanted to try it myself, first, before going the whole hog. The good news is that they carry many of the same requirements as ACX, but no restrictions to geographical boundaries. What’s more, like Smashwords, they do this aggregation thing called ‘Voices Plus’ where you publish through them to lots of other channels, not just Audible. This I can get onboard with.

I’ve never liked the whole ‘exclusivity’ thing. You know, “Only deal with us or else!” I think if something is available here, it should be available there, and there and there, otherwise you’ve got bullying and monopolies and all of that.

So the uploading process is alright. You need a cover, square, 3000 x 3000 pixels. Big. As you can imagine, the dimensions don’t quite work with the standard rectangular book shape. No worries, though, you can always insert the book into a square and add some text to the left or right of it:

So with the Bullet, I used the original cover and ‘squarified’ it. With the Paranormology series, starting with Grosvenor Lane, I’ve pushed the book to the right and put the necessary meta on the left. Too easy. Thankfully I already had my books in a large-enough format, so that meant getting it to 3,000 squared was less of a challenge than it might have been.

Opting into Voices Plus is optional, which is cool (I like that you aren’t forced to use their tools). By doing so, you are enrolled to all of the channels you can think of, and then some, and then some more. Pretty neat:

And while writing this, I think some more were added. Audiobooks, man, it’s like the next thing or something.

Uploading your audio is pretty good, too:


You fill in the bits: Title, subtitile, author(s), narrator(s), dates, etc. Then you upload each chapter, plus title, front matter, afterwords, etc. You can review them as you go, rearrange them, download them to check, etc.

My only problem was that my internet connection was crappy. Uploads of only a few kBs sometimes, and then it would cut out half way through. I would literally start an upload, go have a shower or mow the lawn or read Joey a story, come back and see if it passed or failed. On many occasions, it failed. Boo.

With better internet, I’m sure you’d have a better time. I can’t fault their servers for my lazy electrons. After this comes the grand part – publishing!

ACX?

If you have a search on the web for ‘create a damn audiobook’, you will inevitably stumble across ACX, Amazon’s Audiobook Creation eXchange. You read up on how it all works.

Looks like it functions as a collective of authors, narrators and producers, ready to put together a bunch of audiobooks. More than this, there are options, man, options! I’m a fan of options. Not too many, because then you get overwhelmed, but I like to be able to choose what suits me.

As a narrator, for example, you can sign yourself up and get a gig doing the reading side of things. As an author, you can put your book up to be read. Sounds pretty good so far. But what if, as an author, I want to narrate it myself? Sure thing, that’s fine, too.

Great. Let’s go with this. How does the royalty side of things work? Well, there are three options – either pay outright for a narrator to read my book, share the royalties of the book with the narrator, or do it myself. Easy.

I like the idea that I can collaborate with someone to do the narrating. Some of my larger books, see, would be a struggle for me, so I wouldn’t mind sharing the royalties at all. It’s one of those win-win situations.

So I go through the motions, sign up, look at the different options, figure out how I’m going to do it, and there’s a decent page on how to encode the sound files. There’s also the necessary part of reading out the title and author and narrator (they’re very particular about this) and the closing statement (must contain ‘The End’) and things like that. All good, I can handle this just fine.

I’ve gone over my files, encoded them properly, made them mono rather than stereo, checked the size, formats, added the top and tail, checked the amplification… all the chapters there? Yup. All sound right? Yup. What about the credits? Yup. It’s all looking good. Then… disaster.

In one of the little forms I need to fill in, I select from a drop-down that I’m from Australia. Uh, why is there a red box showing? What does that say? Oh, wow, really? ‘Unfortunately, at this time, ACX is only servicing citizens of the UK and the USA.’

I live in neither.

There I was, dangling high and dry like an octopus on a clothesline, wondering if I’d just blown all that work for nothing. All the building of the booth and the microphone and the mistakes and blunders, was it all for nought?

“No,” I think, “That’s ridiculous. There has to be another way.” Another way… Can I find another way?

Funnily enough, I did. And it’s called ‘Findaway‘.